Summer workshops begin soon! To register, please visit the workshop page of our website:http://www.academyofrealistartboston.com/index.php?id=4
Landscape Painting
Boston Common Plein Air Study
2 Days, July 7 and 8, 8:30 – 4:00 1 hour lunch $250
Instructor - Hudson River Fellow, Brian MacNeil
The historic Boston Public Garden offers many scenic spots for this plein air landscape painting workshop. Each morning will begin with a demonstration of the day’s activity – giving visual guidance in how to productively complete each day’s objective.
On day one students will select a spot and make a drawing and composition in grisaille. On the second day the composition will be finished using a full color palette. Issues to be discussed will include how to deal with changing light, atmospheric perspective and the retention of luminosity.
ONE SPOT LEFT.
In The Studio of Peter Paul Rubens
July 9 – 20 10:00 – 5:00. One hour lunch break. (10 days – Cost $1150)
Instructor - Garrett Vitanza
This workshop offers insight into the Flemish Baroque painter Peter Paul Rubens, his life and working methodology. Working from high resolution copies of some of Rubens’ paintings students will learn how to approach making a traditional oil painting. Students will be coached from the beginning drawing stage through to finished paint passages and work towards emulating the lush paint application of Rubens.
Figure Drawing: The Academic Tradition using the ARA methodology.
July 23 - August 3 10:00 - 5:00. One hour lunch break. (10 days - Cost $1,150)
Instructor - Emmy De Musis
The Academy of Realist Art, Boston continues in the figure drawing tradition established by the 19th Century French Academy in Paris. In this ten day course, students will work from one pose and be taught the method used to draw the live model at ARA.
Beginning in graphite, students complete a 'cartoon'. This is a preliminary drawing that establishes proportion, body type, gesture and the correct grouping of light and dark. This important phase creates a solid structure.
Using a light table, students then transfer the cartoon to fresh paper and the drawing continues in charcoal where rendering techniques accurately capture delicacy of form and quality of flesh. Through the articulation of subtle plane changes and correct value assignments, the students finish a naturalistic and volumetric drawing.
The instructor will provide individual critiques, demos and lectures.
Painting the Figure in Oil
August 6 – 17, 10 days 10:00 - 5:00. One hour lunch break (Cost $1150)
Instructor Colleen Barry
Students will learn how to paint the figure in oil employing a limited palette. During the first week students will draw the figure in graphite to establishing accurate proportion, shapes of light and shade and structure. Once this “cartoon” is transferred to canvas a thin under-painting will be made. In the second week of the workshop students will be taught the fundamentals of form, color and light. Utilizing a limited palette will aid students understanding of how to conceptualize form by narrowing down the color choices. The students will gain a more profound knowledge of how to synthesize the colors on the palette with the form and light on the model.
ONE SPOT LEFT.
Still Life Painting
August 20 – 31 10 days 10:00 - 5:00. One hour lunch break. (Cost $1150)
Instructor Brian MacNeil
Students will compose, set up and complete a still life painting. Learning topics will include still life composition, paint handling, lighting, and oil painting techniques and materials. Brian will share his experiences on still life painting and how to overcome common difficulties that may occur during the process.
Friday, May 25, 2012
Wednesday, May 2, 2012
Saturday Afternoon Portrait Painting Class
Garrett Vitanza is teaching an eight week course on Saturday afternoons from 1:00-5:30.
Ten students are working from two models. Some will paint an extended dry brush painting, others will work in a limited palette.
The cartoons in graphite will be transferred to canvas or board.
Stephen Kivimaki
Frank Interrante
Daphna Zik
Ten students are working from two models. Some will paint an extended dry brush painting, others will work in a limited palette.
The cartoons in graphite will be transferred to canvas or board.
Stephen Kivimaki
Frank Interrante
Daphna Zik
Labels:
dry brush,
limited palette,
Portrait painting
Sunday, April 22, 2012
New Pose!
On April 10th we began a new term in the model room. For the first two weeks we concentrated on the beginning stages of figure drawing, setting a new pose each morning and afternoon.
The following block-ins are by Stephen Kivimaki.
These multiple poses served another purpose: to find the long pose which will occupy us for the next ten weeks. We settled on a back pose that demonstrates large planar groupings. An accurate planar analysis is key in creating a precise representation of the forms.
Our Long Pose
The following block-ins are by Stephen Kivimaki.
These multiple poses served another purpose: to find the long pose which will occupy us for the next ten weeks. We settled on a back pose that demonstrates large planar groupings. An accurate planar analysis is key in creating a precise representation of the forms.
Our Long Pose
Saturday, April 7, 2012
Brian MacNeil's Saturday Portrait Class
This term, Brian MacNeil instructed an eight week portrait class on Saturdays.
Students completed a cartoon in graphite then had the option to continue with the drawing.
Catherine chose to transfer her cartoon to a clean piece of paper.
Students also had the option to transfer their cartoons to canvas and begin working in oils.
On the lower right is a color study. This establishes the value and color relationships of the painting.
For the spring term, Brian will be joining ARA on Wednesdays, instructing Bargue and Cast. (Yay!)
Students completed a cartoon in graphite then had the option to continue with the drawing.
Catherine chose to transfer her cartoon to a clean piece of paper.
Students also had the option to transfer their cartoons to canvas and begin working in oils.
On the lower right is a color study. This establishes the value and color relationships of the painting.
For the spring term, Brian will be joining ARA on Wednesdays, instructing Bargue and Cast. (Yay!)
Thursday, April 5, 2012
A week in the life...at ARA, Boston
Thursdays
The Long Pose continues.
Cindy talks to Sean about his painting.
Garrett critiques Frank.
Tools of the trade.
At ARA, Boston we use graphite.
Carbon Pencil.
And before moving to paint, we use charcoal.
Sharpened charcoal, badger fan brush, plumb line, tortillion, mirror, black mirror, piece of sponge, opera glasses.
Tiago's cartoon in graphite.
The drawing rendered in carbon pencil.
Cartoon in graphite.
Drawing in charcoal.
The Long Pose continues.
Cindy talks to Sean about his painting.
Garrett critiques Frank.
Tools of the trade.
At ARA, Boston we use graphite.
Carbon Pencil.
And before moving to paint, we use charcoal.
Sharpened charcoal, badger fan brush, plumb line, tortillion, mirror, black mirror, piece of sponge, opera glasses.
Tiago's cartoon in graphite.
The drawing rendered in carbon pencil.
Cartoon in graphite.
Drawing in charcoal.
Labels:
Carbon pencil,
charcoal,
graphite,
painting
Wednesday, March 28, 2012
A week in the life...at ARA, Boston
Wednesdays
The longest day of our week. We offer Bargue/Cast and Anatomy classes from 9:30-12:30 and 1:30-4:30.
Debra works on her Bargue while Instructor Stephen Kivimaki gives a critique to Ginny.
Anatomy Instructor Sean Krajnik reviews Kevin's out of class assignment.
Bargue students spill into the model room.
Frank finishes up his final Bargue drawing.
Next term Frank will be moving up to the third floor to work Sight Size from the cast.
With Julie and Shelia...
... and Elise.
The afterwork crowd arrives at 6:00 and stays until 9:00pm.
Larry drives each Wednesday evening from Connecticut to work on his Bargue.
Stephen does a transfer demo on the light table.
Goodnight!
The longest day of our week. We offer Bargue/Cast and Anatomy classes from 9:30-12:30 and 1:30-4:30.
Debra works on her Bargue while Instructor Stephen Kivimaki gives a critique to Ginny.
Anatomy Instructor Sean Krajnik reviews Kevin's out of class assignment.
Bargue students spill into the model room.
Frank finishes up his final Bargue drawing.
Next term Frank will be moving up to the third floor to work Sight Size from the cast.
With Julie and Shelia...
... and Elise.
The afterwork crowd arrives at 6:00 and stays until 9:00pm.
Larry drives each Wednesday evening from Connecticut to work on his Bargue.
Stephen does a transfer demo on the light table.
Goodnight!
Tuesday, March 20, 2012
A week in the life...at ARA, Boston
Tuesdays
Life drawing and painting day at ARA - yay! For ten weeks, every Tuesday and Thursday, we work from our long pose model in the morning, 9:30-12:00, and again in the afternoon, 1:00 to 3:30.
Painting students work alongside drawing students.
Sean paints away.
Tiago draws with very sharp carbon pencil.
Some students are with us full time in the model room. Others are on a part time schedule.
Siri does some sponging.
Lunch!
Instructor Garrett Vitanza demos for Tiago.
And again for Cris.
End of the day. To be continued on Thursday.
Life drawing and painting day at ARA - yay! For ten weeks, every Tuesday and Thursday, we work from our long pose model in the morning, 9:30-12:00, and again in the afternoon, 1:00 to 3:30.
Painting students work alongside drawing students.
Sean paints away.
Tiago draws with very sharp carbon pencil.
Some students are with us full time in the model room. Others are on a part time schedule.
Siri does some sponging.
Lunch!
Instructor Garrett Vitanza demos for Tiago.
And again for Cris.
End of the day. To be continued on Thursday.
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